Books : Duma Key: A Novel

In association with Amazon.com
 View Shopping Cart or Checkout 

Author name: Stephen King

 : Duma Key: A Novel
View Bigger Picture

Regular marked price: $28.00
Discount Price: $18.48
Cost Savings: $9.52 (34%)
Price fluctuation possible.

Used Price: $5.00
Collectible Price: $28.00
Third Party New Price: $8.73


How soon does it ship: Normal ship time within one day



Shipping? Absolutely FREE if you qualify for Super Saver Shipping.
Type of bind: Hardcover
Dewey Decimal Number: 813.54
EAN num: 9781416552512
ISBN number: 1416552510
Label: Scribner
Manufacturer: Scribner
Quantity: 1
Page Count: 592
Printing Date: January 22, 2008
Publishing house: Scribner
Sale Popularity Level: 876
Studio: Scribner




Accessories: Other books you might be interested in perusing:

Editor's Notes and Comments:

Brief Book Summary:
No more than a dark pencil line on a blank page. A horizon line, maybe. But also a slot for blackness to pour through...

A terrible construction site accident takes Edgar Freemantle's right arm and scrambles his memory and his mind, leaving him with little but rage as he begins the ordeal of rehabilitation. A marriage that produced two lovely daughters suddenly ends, and Edgar begins to wish he hadn't survived the injuries that could have killed him. He wants out. His psychologist, Dr. Kamen, suggests a 'geographic cure,' a new life distant from the Twin Cities and the building business Edgar grew from scratch. And Kamen suggests something else.

'Edgar, does anything make you happy?'

'I used to sketch.'

'Take it up again. You need hedges...

hedges against the night.'


Edgar leaves Minnesota for a rented house on Duma Key, a stunningly beautiful, eerily undeveloped splinter of the Florida coast. The sun setting into the Gulf of Mexico and the tidal rattling of shells on the beach call out to him, and Edgar draws. A visit from Ilse, the daughter he dotes on, starts his movement out of solitude. He meets a kindred spirit in Wireman, a man reluctant to reveal his own wounds, and then Elizabeth Eastlake, a sick old woman whose roots are tangled deep in Duma Key. Now Edgar paints, sometimes feverishly, his exploding talent both a wonder and a weapon. Many of his paintings have a power that cannot be controlled. When Elizabeth's past unfolds and the ghosts of her childhood begin to appear, the damage of which they are capable is truly devastating.

The tenacity of love, the perils of creativity, the mysteries of memory and the nature of the supernatural -- Stephen King gives us a novel as fascinating as it is gripping and terrifying.

Amazon.com:
Amazon Significant Seven, January 2008: It would be impossible to convey the wonder and the horror of Stephen King's latest novel in just a few words. Suffice it to say that Duma Key, the story of Edgar Freemantle and his recovery from the terrible nightmare-inducing accident that stole his arm and ended his marriage, is Stephen King's most brilliant novel to date (outside of the Dark Tower novels, in which case each is arguably his best work). Duma Key is as rich and rewarding as Rita Hayworth and the Shawshank Redemption (yes, that Shawshank Redemption), and as truly scary as anything King has written (and that's saying a lot). Readers who have 'always wanted to try Stephen King' but never known where to start should try a few pages of Duma Key--the frankness with which Edgar reveals his desperate, sputtering rages and thoughts of suicide is King at the top of his game. And that's just the very first thirty pages... --Daphne Durham




Duma Key: Where It All Began
A Note from Chuck Verrill, the Longtime Editor of Stephen King
In the spring of 2006 Stephen King told me he was working on a Florida story that was beginning to grow on him. 'I'm thinking of calling it Duma Key,' he offered. I liked the sound of that--the title was like a drumbeat of dread. 'You know how Lisey's Story is a story about marriage?' he said. 'Sure,' I answered. The novel hadn't yet been published, but I knew its story well: Lisey and Scott Landon--what a marriage that was. Then he dropped the other shoe: 'I think Duma Key might be my story of divorce.'

Pretty soon I received a slim package from a familiar address in Maine. Inside was a short story titled 'Memory'--a story of divorce, all right, but set in Minnesota. By the end of the summer, when Tin House published 'Memory,' Stephen had completed a draft of Duma Key, and it became clear to me how 'Memory' and its narrator, Edgar Freemantle, had moved from Minnesota to Florida, and how a story of divorce had turned into something more complex, more strange, and much more terrifying.

If you read the following two texts side by side--'Memory' as it was published by Tin House and the opening chapter of Duma Key in final form--you'll see a writer at work, and how stories can both contract and expand. Whether Duma Key is an expansion of 'Memory' or 'Memory' a contraction of Duma Key, I can't really say. Can you?

--Chuck Verrill

'Memory'
Memories are contrary things; if you quit chasing them and turn your back, they often return on their own. That's what Kamen says. I tell him I never chased the memory of my accident. Some things, I say, are better forgotten.

Maybe, but that doesn’t matter, either. That's what Kamen says.

My name is Edgar Freemantle. I used to be a big deal in building and construction. This was in Minnesota, in my other life. I was a genuine American-boy sucess in that life, worked my way up like a motherf---er, and for me, everything worked out. When Minneapolis–St. Paul boomed, The Freemantle Company boomed. When things tightened up, I never tried to force things. But I played my hunches, and most of them played out well. By the time I was fifty, Pam and I were worth about forty million dollars. And what we had together still worked. I looked at other women from time to time but never strayed. At the end of our particular Golden Age, one of our girls was at Brown and the other was teaching in a foreign exchange program. Just before things went wrong, my wife and I were planning to go and visit her.

I had an accident at a job site. That's what happened. I was in my pickup truck. The right side of my skull was crushed. My ribs were broken. My right hip was shattered. And although I retained sixty percent of the sight in my right eye (more, on a good day), I lost almost all of my right arm.

I was supposed to lose my life, but I didn’t. Then I was supposed to become one of the Vegetable Simpsons, a Coma Homer, but that didn't happen, either. I was one confused American when I came around, but the worst of that passed. By the time it did, my wife had passed, too. She's remarried to a fellow who owns bowling alleys. My older daughter likes him. My younger daughter thinks he’s a yank-off. My wife says she’ll come around.

Maybe , maybe no. That's what Kamen says.

When I say I was confused, I mean that at very first I didn’t know who people were, or what had happened, or why I was in such awful pain. I can't remember the quality and pitch of that pain now. I know it was excruciating, but it's all pretty academic. Like a picture of a mountain in National Geographic magazine. It wasn’t academic at the time. At the time it was more like climbing a mountain.

Continue Reading 'Memory'
Duma Key
How to Draw a Picture
Start with a blank surface. It doesn't have to be paper or canvas, but I feel it should be white. We call it white because we need a word, but its true name is nothing. Black is the absence of light, but white is the absence of memory, the colour of can't remember.

How do we remember to remember? That's a question I've asked myself often since my time on Duma Key, often in the small hours of the morning, looking up into the absence of light, remembering absent friends. Sometimes in those little hours I think about the horizon. You have to establish the horizon. You have to mark the white. A simple enough act, you might say, but any act that re-makes the world is heroic. Or so I’ve come to believe.

Imagine a little girl, hardly more than a baby. She fell from a carriage almost ninety years ago, struck her head on a stone, and forgot everything. Not just her name; everything! And then one day she recalled just enough to pick up a pencil and make that very first hesitant mark across the white. A horizon-line, sure. But also a slot for blackness to pour through.

Still, imagine that small hand lifting the pencil... hesitating... and then marking the white. Imagine the courage of that very first effort to re-establish the world by picturing it. I will always love that little girl, in spite of all she has cost me. I must. I have no choice. Pictures are magic, as you know.

My Other Life
My name is Edgar Freemantle. I used to be a big deal in the building and contracting business. This was in Minnesota, in my other life. I learned that my-other-life thing from Wireman. I want to tell you about Wireman, but very first let's get through the Minnesota part.

Gotta say it: I was a genuine American-boy sucess there. Worked my way up in the company where I started, and when I couldn’t work my way any higher there, I went out and started my own. The boss of the company I left laughed at me, said I'd be broke in a year. I think that's what most bosses say when some hot young pocket-rocket goes off on his own.

For me, everything worked out. When Minneapolis–St. Paul boomed, The Freemantle Company boomed. When things tightened up, I never tried to play big. But I did play my hunches, and most played out well. By the time I was fifty, Pam and I were worth forty million dollars. And we were still tight. We had two girls, and at the end of our particular Golden Age, Ilse was at Brown and Melinda was teaching in France, as part of a foreign exchange program. At the time things went wrong, my wife and I were planning to go and visit her.

Continue Reading Duma Key


More from Stephen King

Blaze

Lisey's Story

The Mist



Cell


The Dark Tower: The Gunslinger Born







Customer Reviews
User popularity level:  out of 5 stars

Rated by buyers 4 out of 5 stars - Couldn't stop reading
Stephen King once again proves himself a master with "Duma Key." Fantastic characterization and suspense; masterful exploration of the horrors lurking in seemingly benign places. I particularly enjoyed it because of its exporation of the creative process. Edgar's irresistable urge to paint is, no doubt, an echo of the way Stephen King feels about writing. The ending felt a little rushed. Other than that, great.



Rated by buyers 4 out of 5 stars - Compares Favorably with King's Early Work
I must confess that I was blown away by Duma Key. I used to be a huge fan of Stephen King's -- in the days of his classic works Carrie, The Shining, It, The Stand and Salem's Lot. I stopped reading King regularly after he published Pet Sematary which I found repulsive. However, King has restored my faith in his unique storytelling abilities with Duma Key. It is an epic introspective novel about Edgar Freemantle, a man crippled by a terrible accident, whose life (including his marriage) is destroyed by this tragedy. He returns to his love of art and finds creative brilliance after he relocates to Duma Key in Florida. What he doesn't realize is that his creative brilliance is inspired by an insidious, vengeful force older than time. Edgar's paintings take on a life of their own and the price for Freemantle's artistic brilliance may be the lives of everyone he holds dear. "Duma Key" is more than just a clever twist on "The Picture of Dorian Gray". It is King exploring the aftermath of his own terrible accident, when he was struck by a speeding van. King infuses Freemantle with a terrifying rage against fate, frustration, fear and strength to overcome the force seeking to destroy him. Edgar seems more real than almost any other character in King's canon. The book is intelligent, but it remains old-school horror complete with spirits and zombies. But Edgar is the novel's heart and you will be riveted. Be forewarned that this is over 1,000 pages, but definitely worth your time. Highly recommended.



Rated by buyers 4 out of 5 stars - A Story You'd Swear You'd Read Before
Stephen King's 2008 novel Duma Key is heavily evocative of his work from ten years earlier, Bag of Bones.

1. The protagonist is a man who amassed a fortune, then suffered a devastating loss
* Bestselling author loses his wife in 1988; successful building contractor loses his arm and much of his mental capacity in 2008 (and his marriage)
2. He flees his home base and takes up in an isolated house near water
* A lake in 1998; the Gulf of Mexico in 2008
3. He becomes increasingly convinced that the place "called" him.
4. Strange phenomena greet him upon arrival at the house
* The sound of a crying child and communication through refrigerator magnets in 1998; seashells that sound like they're talking when the waves hit in 2008
5. He "zones out" and wakes to find strange things have happened in the interim
* Automatic typing in 1998; automatic painting in 2008
6. He experiences a resurgence of creativity, but the creations are the medium for a message (writing in '98, painting in '08)
7. He is encouraged to continue his creative pursuits in order to enhance someone else financially (his publisher in '98; a gallery owner in '08)
8. In both cases, he is being told about something horrific that happened in the past, something that he is being called upon to do something about (a vengeful ghost in '98; an ancient sea-demon in '08)
9. Death by drowning figures prominently in both stories
10. A child or childlike adult leads him to a deep friendship
* Kyra and her mother Mattie in '98; Elizabeth and her caregiver Wireman in `08
11. The protagonist befriends a lawyer
* John Storrow in '98; Wireman in '08
12. The protagonist discovers a psychic link between himself and the child or childlike adult
* He and Kyra share a dream in '98; he and Elizabeth paint the same pictures, eight decades apart, in '08
13. The source of the evil is uncovered in a place not far from where he is staying, but in a place that has largely been abandoned (The Street in '98, the original family home in '08)
14. Someone has hidden a clue in a tin box under part of a house and the protagonist gradually figures out how to find it
* "Owls under studio" in '98; the "ha-ha" under the stairs in the old house
15. Non-human entities are used by the evil spirit to attack the protagonist (the tree in '98; the heron in '08)
16. The protagonist must get "down and dirty" to contain the rampaging spirit, and barely manages to succeed.
* Pouring lye into the grave in '98; the cistern in '08
17. The evil spirit kills the protagonist's loved one by someone else's hand
* His girlfriend in '98; his daughter in `08
18. The protagonist resolves to cease his creative pursuits after the crisis has passed.
~~~
None of this changes the fact that Duma Key is a wordy, fascinating read from start to finish, whether or not you've already experienced Bag of Bones. It's wonderfully atmospheric, stirring your memories of sultry Florida vacations or John Huston film noir classics.

My major complaint with this novel is that it not only crams an enormous amount of events into the story, but also fails quite often to justify their inclusion. Bag of Bones neatly wrapped up virtually every possible loose end. Duma Key leaves many of them dangling. At least one major character dies with no foreshadowing, and others drop off the radar after having a significant amount of attention paid to them throughout the book. Duma Key is at least the length of the earlier novel, but the reader is left wishing King had tacked on an extra 10 or 20 pages.

King also forgoes the "social relevance" angle in Duma Key. While the denouement of Bag of Bones was a matter of racial hatred, the closest we get to that in Duma Key is a man accidentally killing his African-American employee and tossing her body down a well to escape the consequences ... but he does the same with his beloved daughter. There is a murdering pedophile caught on videotape, echoing a real-life news story that Stephen King no doubt got his fill of while wintering in the Sunshine State. But the hero's involvement in that story is, as King's character admits, a device of sorts, contrived by the demon to lure Freemantle into more and more other-worldly artistry, intended to snare more victims.

Both novels entertain us with a cynical "insider" look at the business side of the literature and art worlds.

The biggest objective distinction between these two novels is that in Duma Key, regardless of the eerie atmosphere, the protagonist is never truly alone. He is constantly on the phone to his ex-wife, therapist, daughters, and business associates. There's no love interest, but he has managed to find a platonic companion in an "anger doll" named Reba. He fights the villain with plenty of ... Read More



Rated by buyers 3 out of 5 stars - Dumb Key
Far from King's finest ("The Shining," "Carrie"), "Duma Key" is about a wounded contractor, Edgar Freemantle, who settles on one of the Florida Keys to recuperate. [Plot spoilers follow.] Mysteriously he is seized with the need - and talent! - to draw and paint. He also begins a tedious relationship, conveyed through painfully artificial dialogues, with an elderly woman who owns most of Duma Key, and her caretaker. Freemantle's paintings apparently can cause changes in the real world (healing, killing, etc.). It turns out that the elderly woman, when a child, also exhibited the same sudden and inexplicable artistic abilities. All of this gets traced to one "Perse" (pronounced "Percy" and perhaps short for "Persephone," though Persephone is goddess of the underworld and Perse is some sort of evil sea-woman). Ghosts and ghost ships float in and out of the story. Perse turns out to be a china figurine, and she is done in by being imprisoned in fresh water. There is no motivation for Perse's evil-doing, no motivation for why Freemantle - or any of the characters - remains on Duma Key, and no explanation for why Perse causes preternatural artistic abilities, especially as these are the clues to revealing Perse's whereabouts.



Rated by buyers 1 out of 5 stars - Disappointed
First things first. I didn't even finish "Duma Key". It was a struggle to enter the final quarter of the book, and I gave up. The story twisted into a confusing wreck.

I've been a fan of SK's writing for decades, but I think the affair is almost over. King seems to have turned into the George Lucas of writing. The more he tries to push the envelope, the worse the results are. Case in point with "Duma Key".

The very first two-thirds of the novel were excellent. You can really grasp the struggles of the protagonist. His creative journey is fascinating. But then King screws it up with convenient characters, annoying repetitive dialog, and a supernatural subplot that twisted and turned on itself so much that I didn't read the final quarter.

The flashbacks provided no insight, just inane chatter. Most of the characters in this novel come across as TV characters. They are flat, scripted and predictable, and at worst, annoying.

In the opening of the story, King writes "How To Draw A Picture". Perhaps he should focus on "How To Write A Novel." This is probably the last time I waste time on Stephen King. Pity.


see more


Find other books like this one:

 


Turmeric Psoriasis / Herbs / Pellucidar / The Bark Covered House, / Depression /
Alice In Wonderland Image Eve Of Milady Wedding Gown Adventure Of Sherlock Holmes The Silver Earring Christmas Gift Him Personalized Arabic For Everyone The Game Sherlock Holmes Business Gift Shop Wizard Of Oz Sound Clip Graduation Gifts Psoriasis Injection Stories

Home - Mystery - Horror - Thriller - Detective - Drama