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Type of bind: Paperback
Dewey Decimal Number: 791
EAN num: 9780786431045
ISBN number: 0786431040
Label: McFarland
Manufacturer: McFarland
Quantity: 1
Page Count: 684
Printing Date: September 13, 2007
Publishing house: McFarland
Sale Popularity Level: 623462
Studio: McFarland
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Product Description:
The seventies were a decade of groundbreaking horror films: The Exorcist, Carrie, and Halloween were three. This detailed filmography covers these and 225 more. Section One provides an introduction and a brief history of the decade.
Beginning with 1970 and proceeding chronologically by year of its release in the United States, Section Two offers an entry for each film. Each entry includes several categories of information: Critical Reception (sampling both '70s and later reviews), Cast and Credits, P.O.V., (quoting a person pertinent to that film's production), Synopsis (summarizing the film's story), Commentary (analyzing the film from Muir's perspective), Legacy (noting the rank of especially worthy '70s films in the horror pantheon of decades following).
Section Three contains a conclusion and these five appendices: horror film cliches of the 1970s, frequently appearing performers, memorable movie ads, recommended films that illustrate how 1970s horror films continue to impact the industry, and the 15 best genre films of the decade as chosen by Muir.
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Rated by buyers -
What a terrifically fun book to read! It brought back so many fond memories of going to these scary movies back in the 70's. The author knows his stuff and his enthusiasm shines through loud and clear--no stuffy criticism here. I am completely hooked on this book.
Rated by buyers -
Reading this book is fun. Being a horror film buff, this book is a practical and thoughtful encyclopaedia and always brings me so much fun when exploring the anxieties and common fears in historical and social context of 1970s horror. In this period of 70s horror remakes (such as The Hills Have Eyes, Texas Chainsaw Massacre, The Omen, Dawn of the Dead), this book can be a very essential guide to help us re-exmine the originalities and significance of these 70s classics. Highly Recommanded.
Rated by buyers -
I've read a fair bit of horror film criticism and analysis, and Muir is one of the very best writers I've come across in the field. What it comes down to is that he covers the films with precisely the correct amount of depth, as he goes well beyond the simple capsule reviews, but avoids ridiculous, pretentious analysis where the films quality as either art or entertainment is ignored entirely in favor of exploration of theme and social commentary. (Which, of course, generally results in a lotta ludicrous garbage, beyond the extreme tedium.) This isn't to say he isn't interested in social commentary, he's just good at actually analyzing the film for what it is, rather than what he'd like it to be. (Course, he misses and overreaches at a few points, but that's just the inevitable disagreement on my part, rather than a general trend.) He writes cleanly and clearly, and without a hint of pretention. He also includes a ton of information for the bulk of the films, including extensive credit listings and a detailed synopsis to go along with a lengthy commentary. There are also quite a few shorter, near capsule-type reviews, but those are still more detailed than you'd see in most basic guides. Muir perhaps is slightly to forgiving for my tastes, but it's better to be a bit too favorable when it comes to film analysis than to critical, as it's tougher to come up with something interesting to say about a film that you hated. Obviously, this book isn't even close to comprehensive, but that would be pretty much impossible, and he does cover a remarkable range of films. Overall he emphasizes American films most, but still works in quite a few more prominent european films from the decade. (i.e. Suspiria, Deep Red, Zombi, Tombs of the Blind Dead etc.) Finally, the book ends with a number of helpful and/or amusing appendices at the end.
This book is damn expensive, so hopefully you can get it for free at a library, but if you can't it would probably still be worth picking up if you're really interested in horror films. Muir's books on Craven and Carpenter are also excellent, and follow the same basic format. (Though his book on Raimi was kinda disappointing, as it's more about filmmaking than the films themselves) Definitely worth checking out if you're interested in either of those guys, though those books are a bit out of date at this point. Anyway, I like it a lot. Hopefully we'll hear something more on Romero or euro-horror from Muir in the future.
Rated by buyers -
Being a horror film buff, I've read many books dealing with the subject matter Mr. Muir covers, but I've never come across a book that so deftly manages to be both thoughtful/scholarly, while also extremely entertaining. Not many reference books manage to be page turners, but if you like horror films you'll find yourself unable to put it down. Muir's enthusiasm and extensive knowledge are evident, and in many ways reading the book is like having a discusion with a fellow horror fan.
As a person who is quite familiar with a good deal of the films Muir discusses, I was also pleased to discover many I had never heard of. It's led me to viewing a few gems that I might have missed otherwise. If you're a fan of the genre (or even just curious), don't hesitate to pick this up - you won't regret it.
Rated by buyers 
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As a died-in-the-wool horror fan, I really appreciate the thought and care put into this reference book. Muir makes a compelling case for this decade's importance in the genre (I think the 70's would win hands-down in a contest of the greatest number of significant or classic horror films in a decade. Look at the evidence: Halloween, Alien, Carrie, The Exorcist, Suspiria, Jaws, The Stepford Wives, The Texas Chainsaw Massacre, etc., etc.). Further, Muir gives good analysis, and that is very appreciated, even when he occasionally gets carried away (he has a tendency to state a thesis--check out his analysis of some of Tobe Hooper's formalist techniques in The Texas Chainsaw Massacre--and then repeat himself over and over just to make sure that we, the readers, get it); there are also a number of small errors in details from certain films that annoyed me just because they are so careless: it is the TANZ Academy that Jessica Harper travels to in Suspiria, not the TAMM Academy, and it is the ALLARDYCE family that rents the evil house to Karen Black and Oliver Reed in Burnt Offerings, not The ALLODICES (I happen to be a big fan of both films so these mistakes particularly stuck out like bleeding limbs to me). But those are minor quibbles really; mostly I'm just grateful that Muir is not only a fan, but an intelligent writer and critic as well. I agree with another reviewer: let's subsequent have a book on Horror Films of the 1980's, Mr. Muir!
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