Books : The Picture of Dorian Gray (Barnes & Noble Classics Series) (Barnes & Noble Classics)

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Author name: Oscar Wilde

: The Picture of Dorian Gray (Barnes & Noble Classics Series) (Barnes & Noble Classics)
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Type of bind: Paperback
Dewey Decimal Number: 823.8
EAN num: 9781593080259
ISBN number: 1593080255
Label: Barnes & Noble Classics
Manufacturer: Barnes & Noble Classics
Quantity: 1
Page Count: 288
Printing Date: May 01, 2003
Publishing house: Barnes & Noble Classics
Sale Popularity Level: 11219
Studio: Barnes & Noble Classics



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Editor's Notes and Comments:

Product Description:
The Picture of Dorian Gray, by Oscar Wilde, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics:
New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works.
 
Oscar Wilde brings his enormous gifts for astute social observation and sparkling prose to The Picture of Dorian Gray, his dreamlike story of a young man who sells his soul for eternal youth and beauty. This dandy, who remains forever unchanged—petulant, hedonistic, vain, and amoral—while a painting of him ages and grows increasingly hideous with the years, has been horrifying, enchanting, obsessing, even corrupting readers for more than a hundred years.


Taking the reader in and out of London drawing rooms, to the heights of aestheticism, and to the depths of decadence, The Picture of Dorian Gray is not only a melodrama about moral corruption. Laced with bon mots and vivid depictions of upper-class refinement, it is also a fascinating look at the milieu of Wilde’s fin-de-siècle world and a manifesto of the creed “Art for Art’s Sake.”



The ever-quotable Wilde, who once delighted London with his scintillating plays, scandalized readers with this, his only novel. Upon publication, Dorian was condemned as dangerous, poisonous, stupid, vulgar, and immoral, and Wilde as a “driveling pedant.” The novel, in fact, was used against Wilde at his much-publicized trials for “gross indecency,” which led to his imprisonment and exile on the European continent. Even so, The Picture of Dorian Gray firmly established Wilde as one of the great voices of the Aesthetic movement, and endures as a classic that is as timeless as its hero.



Camille Cauti, Ph.D., is an editor and literary critic who lives in New York City. She is a specialist in the Catholic conversion trend among members of the avant-garde in London in the 1890s.



Amazon.com Review:
A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, 'as surely as if I had cut her little throat with a knife,' Dorian Gray is surprised to find no difference in his vision or surroundings. 'The roses are not less lovely for all that. The birds sing just as happily in my garden.'

As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful 'When we are happy we are always good, but when we are good we are not always happy.' But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least 'no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style.' Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: 'All excess, as well as all renunciation, brings its own punishment.'



Customer Reviews
User popularity level: out of 5 stars

Rated by buyers 5 out of 5 stars - Birdmonkeygirl
This was a rather difficult book to get through. Lots of old English and lots of footnotes describing what the words or phrases meant. I struggled through about 3/4 of the book, but then it picked up and I managed to get it read. In the end, it was worth the time and effort but does take some patience to get through. Not for everyone.


Rated by buyers 4 out of 5 stars - classic
a classic literary staple of the modern world! a must read for any intellectual. every sentence is brimming with stimulating ideas and paradoxes.


Rated by buyers 5 out of 5 stars - "Every portrait that is painted with feeling is a portrait of the artist, not of the sitter"-Oscar Wilde
Basil Hallward is an artist, who paints a portrait of Dorian Gray, a very good looking and naïve young man. The portrait is a masterpiece that in reality depicts Basil's feelings for Dorian, as well as, Dorian's youth and beauty.
Lord Henry Wotton, a seductive emotional predator and selfish pleasure seeker, is a friend of Basil who meets Dorian at Basil's house and gives him a philosophical speech about the fading nature of youth and beauty. Dorian whose greatest qualities are his youth and beauty pledges his soul to stay young and beautiful. As part of the deal Dorian Gray's portrait becomes the surrogate for the disgrace and aging of the real Dorian Gray.
Under the growing influence of Lord Henry over Dorian, the later embraces Hedonism and increasingly sinks into a sinful corrupt life and shows no regard for values or morals. A tragic event caused by Dorian's behaviors starts the projection of Dorian's ugliness and self -centeredness on the portrait. Dorian creates excuses and excuses himself with lame explanations for the tragedy and hides his portrait so he can't see the hideous transformation of himself reflected in his picture. As long as his beauty remains, he can ignore the changes in his portrait. It's interesting how Dorian tries to avoid his inner feeling of ugliness by trying to surround him self by beauty, and other beautiful distractions such as roses and music.

Basil's love for Dorian, which is likely a real life reflection of Wilde's love for Lord Alfred Douglas, causes Basil to defend and protect Dorian, even from his self destructive acts, until the last shocking event. I'm tempted to describe the ending event, but I won't deprive the reader from the pleasure of exploration and discovery.

Given the period when this novel was written, Wilde is artistically candid and courageous beyond belief. Wilde displays his usual wit, sarcastic playful ways and funny style, while he walks us through serious dilemmas like the supremacy of youth and beauty, homosexual feelings, repentance and murder. Wilde grabs the reader through the use of shocking events that not only criticize Victorian morality, but ironically displays a moral lesson about vanity and narcissism.

"The picture of Dorian Gray" is a wonderful piece of literature in which the portrait asserts itself as Dorian's conscience in a superficial society that places values on looks and wealth while ignoring the real value of humans. Simply, a one of a kind work.




Rated by buyers 1 out of 5 stars - What a SNOOZE!!!!!
As was the case with quite a few other readers, I had been snookered into believing this was a near-universally lauded classic. Hello? The emperor has no clothes and this book has no redeeming qualities. The writing style was absolutely maddening!

The only reason I read the entire thing was because I purchased the book and felt compelled to get my money's worth (not entirely possible with such a low quality "classic")

After reading it in its entirety, I felt the type of satisfaction one feels after completing a particularly odious chore. Removing my copy from my home will be most satisfying. Bottom line: Boooooooooooooring!


Rated by buyers 3 out of 5 stars - What Does Unbridled Hedonism do the Human Soul?
Oscar Wilde's The Picture of Dorian Gray is a thought-provoking novel that vacillates between ambling, seemingly directionless conversation and a riveting narrative thread that eventually bubbles up to the surface with the intensity of a volcanic eruption. The Picture of Dorian Gray, though not much more than a century old, has already been deemed a "classic" by literature-lovers, and after reading the book, I can understand its status. Wilde's command of the English language is almost unparalleled in recent literature.

Warning - Spoilers Follow

Here's the gist of the book. Dorian Gray is a young man whose physical appearance is handsome and innocent. An aspiring artist paints a beautiful portrait of Dorian. Dorian wishes that he always look like his youthful appearance in the portrait. The wish comes true. Dorian remains the same - youthful and charming, but the portrait begins to transform itself into the image of his soul.

When Dorian embraces a life of hedonism, he uses his good looks and charm to obtain whatever he desires in life. His insensitivity drives a friend to suicide. The evil desires of his heart eventually cause him to murder a friend in cold blood. Over a period of twenty years, Dorian becomes a monster on the inside (reflected by the portrait of his soul) even as he remains youthful and innocent on the outside.

Oscar Wilde's homosexuality is no secret, and the reader can easily discern certain homosexual overtones in the book (especially at the beginning). Perhaps Wilde's subtle innuendoes of homosexuality have made his works so appealing to lovers of literature who tend to sympathize and approve of homosexual behavior.

Upon reading Dorian Gray, however, I could not help but notice how the lifestyle of hedonism is so implicitly condemned by the narrative's outcome. If Dorian's hedonism includes sexual relationships with men as well as with women (and Wilde does hint at this), then homosexuality comes under the same umbrella as the rest of Dorian's sinful passions. One can hardly characterize The Picture of Dorian Gray as a pro-homosexual book.

Readers of this blog will find the picture of depravity in Dorian Gray to be intriguing. Throughout the story, Dorian, even in his hedonism, acts in a manner that forces the reader to desire justice and redemption. The book's end emphasizes the need for punishment and retribution - pointing at death as the wages of sin.

What does the life of unbridled hedonism look like? What does it do to the soul? What happens to the human being who seeks to fulfill his every passion and desire? How does sin affect us physically? Do we age because we sin? These and more are the questions that Oscar Wilde raises in The Picture of Dorian Gray.

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