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Type of bind: Paperback
Dewey Decimal Number: 808
EAN num: 9781559363112
ISBN number: 1559363118
Label: Theatre Communications Group
Manufacturer: Theatre Communications Group
Quantity: 1
Page Count: 64
Printing Date: April 01, 2007
Publishing house: Theatre Communications Group
Sale Popularity Level: 121182
Studio: Theatre Communications Group
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'Caryl Churchill's power to grip an audience is an extraordinary thing. Her plays perform a pincer-movement on your attention. Their ear for a subject of real concern out there in the world . . . has always been acute, and often prescient. These are plays which don't merely debate issues: they embody them.'-The Observer
'Churchill is one of the most original and unpredictable of dramatists, and part of the pleasure of her work is going into the theater, and not having the faintest clue about what to expect.'-Daily Telegraph
Jack would do anything for Sam. Sam would do anything. And around this simple premise, Caryl Churchill slyly crafts her new play depicting a deeply dysfunctional gay relationship-which is actually all about America. Premiering in fall 2006 at London's Royal Court Theatre, this is Churchill's very first work since A Number and is another speedy, taut, two-hander that shows off her uncanny ability to write both topically and elliptically at the same time. With this play Churchill-who has taken on everything from Thatcherism to human cloning-continues her more than thirty-year tradition of producing 'studies of a world quaking under constant siege in which style somehow always uniquely mirrors content' (The New York Times).
Caryl Churchill is one of the most respected dramatists in the English-speaking world. She is the author of some twenty plays, including Light Shining in Buckinghamshire, Cloud Nine, Top Girls, Serious Money, The Skriker, Blue Heart, Far Away, and A Number, which have been produced throughout the world.
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Here is a play that conflates the rhetoric of war into bite size pieces and shows us that one war, particularly as we Americans get involved in them, is all wars. Churchill's staccato lines, and disjointed dialogue is not for everyone, and her play presses our continuity buttons, but this two person dialogue between an allegorical Uncle Sam and an allegorical Guy who is drawn to Sam's cockiness underscores how the language of war is a language of insanity.
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