Books : The Ultimate Scene and Monologue Sourcebook: An Actor's Guide to over 1000 Monologues and Dialogues from More Than 300 Contemporary Plays

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Author name: Ed Hooks

 : The Ultimate Scene and Monologue Sourcebook: An Actor's Guide to over 1000 Monologues and Dialogues from More Than 300 Contemporary Plays
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Used Price: $4.88
Third Party New Price: $25.95






Type of bind: Paperback
Dewey Decimal Number: 016.80882
EAN num: 9780823077717
ISBN number: 0823077713
Label: Back Stage Books
Manufacturer: Back Stage Books
Quantity: 1
Page Count: 272
Printing Date: March 01, 1994
Publishing house: Back Stage Books
Sale Popularity Level: 111016
Studio: Back Stage Books




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Customer Reviews
User popularity level:  out of 5 stars

Rated by buyers 5 out of 5 stars - A Must For Every Actor
As noted already this is not a collection of monologues but a resource on info on monologues and where to find them. As an actor I find this extremely helpful. Many books only have the specific monologue. To get a good sense of any monologue it is imperative that the actor know where the speech comes within the context of the play. This book, though suggesting monolgues, requires the actor get the whole play ... with that in hand, reading the play in its entirety should be the very first step the actor takes..

NOTE: A new edition of this book is due out soon.



Rated by buyers 4 out of 5 stars - This is a resource, not a book of scenes/monologues...
Be aware that this book tells you WHERE to get the scenes/monologues. It doesn't actually contain any theatrical content!

But, knowing that, it's a great resource. It gives a lot of info about each scene/monologue, and tells you exactly where you can find it.

So, if this is the sort of book you're looking for, it's exactly what you want. If you're looking for a book that contains monologues and scenes, then this isn't it.



Rated by buyers 4 out of 5 stars - Not what I expected but might come in handy!
I thought this book actually had 1000 monologues but it does not. The book has a snippet analysis of over a 1000 monologues so if you like the analysis given then you can go find/buy the monologue. I think it will definitely come in handy when my son needs a specific monologue based on character and/or setting and this book will allow for him to narrow down his search of which monologues fit the requirements of an audition and will save him time. I would recommend the book for saving an actor time in searching for a monologue but again the book does not contain the actual monologues as I originally thought that it would.



Rated by buyers 3 out of 5 stars - good source of reference but not what i was looking for
For an actor auditioning for drama school in Britain and looking for a range of monologue material, I didn't realise that the majority of auditons in this book would be American. A great deal of them require a New York accent for example which isn't appropriate when the audition panel do not want to hear any accent other than your own.
I believe this to be a good book and can see why others would find it useful but if I had known then what I know now I personally wouldn't have purchased it...a warning to any other Brits looking for audition material is to search around for books with more monologues from closer to home.
I too just want to reciprocate what one other reviewer mentioned and that is that there are no full examples of monologues within the book. It gives you the characters age, a brief description and the start and finish lines but not the monologue in full. Also there may be 1000 monologues inside but but many are from the same play i.e The Cherry Orchard (1M) (2F) (1M&F)...so actually the number of plays used is 300 in total. Also, many of the parts are for an older playing range - 30s-60s - i didn't feel there were enough parts for those of us in our 20s.



Rated by buyers 5 out of 5 stars - The ULTIMATE way to find Monologues
This is unquestionably the best book an actor can use to find monologues. While many people have complained about the fact the monologues aren't included in the book, this is actually a very good thing. The book gives a synopsis of the scene or monologue in the play, and tells you what publisher you can get the play from. Many young actors when they find a monologue in a collection memorize and perform it, without understanding the subtext behind the scene. This book forces the actor to read the play and get a strong concept of the character they plan to play. The book also mentions a few monologues and scenes which are heavily performed in professional auditions and should be avoided if at all possible. This book is a valuable resource if for nothing else then to get you looking at some new plays and authors, many of them relatively obscure compared to Arthur Miller and Neil Simon. With 300 plays featured, this book can keep a dedicated actor very well occupied.

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