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Type of bind: Paperback
Dewey Decimal Number: 812.54
EAN num: 9780822202943
ISBN number: 0822202948
Label: Dramatists Play Service
Manufacturer: Dramatists Play Service
Quantity: 1
Page Count: 80
Printing Date: 1978-01
Publishing house: Dramatists Play Service
Sale Popularity Level: 288426
Studio: Dramatists Play Service
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Product Description:
Deathrap was very first presented by Alfred de Liagre, Jr. & Roger L. Stevens at The Music Box theatre in NYC on 2/26/1978. Directed by Robert Moore, William Ritman scenery, Ruth Morley costumes, Marc B. Weiss lighting. Action takes place in Sidney Bruhl's study in Wesport CT.
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Rated by buyers
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This book was required for a theater class. It came within two days and was brand new.
Rated by buyers
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Ira Levin is a master of the novel and the stage play. He has brought us ingenious classics like The Stepford Wives, Rosemary's Baby, A Kiss Before Dying, and Veronica's Room to name just a few. Most of his works have translated brilliantly to film and are fun, clever, engrossing reads.
Deathtrap is a wonderful comic thriller, which I wish I had a chance to see play out on stage. It's a fun mystery that is as twisted as a pretzel with a fun and suspenseful climax. The very first act ends with the big twist, one I did not see coming, leading the way for a completely different, but just as fun second act. Not many surprises in the second act, but it is just as fun.
To talk about this any more is to give away all the delicious things in store, so I will let you see for yourself how wonderful this play truly is. Read Deathtrap, then do yourself a favor and buy everything Ira Levin has written. You might thank yourself in the morning.
Rated by buyers
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What makes this play superb is captured right in the title: "Deathtrap: A Thriller in Two Acts." This is because the thrill of the very first act is replaced by a twistedly different thrill in the second act. In Westport, Connecticut, we find playwright Sidney Bruhl and his loving wife Myra. Unfortunately, the well has run dry for Sidney who desperately needs a hit play and come not come up with anything. But then Sidney shows Myra "Deathtrap." It is, he explains, "A thriller in two acts. One set, five characters. A juicy murder in Act One, unexpected developments in Act Two. Sound construction, good dialogue, laughs in the right places. Highly commercial." With that blatant self-description author Ira Levin gives us the very first of many nudge-nudge, wink-winks. You see, the only problem with "Deathtrap" is that Sidney did not write the play. It was written by Clifford Anderson, one of the "twerps" from Sidney's playwriting seminar. But maybe Sidney can find a way of making the play his own, even if it is over young Mr. Anderson's dead body.
Of course, Levin has already told us what is going to happen in the play, but as to who will be the victim of the very first act's juicy murder, well, that is just the beginning of the fun. After all, there are still two other characters to be met and one of them is a Dutch psychic. "Deathtrap" is a roller-coaster ride that alternately amuses and terrifies, which is exactly what you want from a thriller. Best of all, you never catch up to the twists and turns. If there is a lesson to be learned here, then it is simply that nothing is more dangerous than a good idea.
Rated by buyers
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Deathtrap is so much fun to read, I would just love to see it done as a play. It would be so fun to be in it, too! There are rarely thrillers anymore, and this one manages to be twisty, funny, scary and even not seem dated. Ira Levin has crafted something clever and cool here, and I hope I can see it done well someday, so that I can be one of the people screaming in the theater, or one of the actors causing them.
Rated by buyers
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Having played the part of Clifford Anderson in a local production of Deathtrap, I was fortunate enough to hear the audience's reactions to the plot's twists and turns night in and night out. This show combines terror and humour in a way that really keeps people on the edge of their seat. I very highly recommend this work, and if you have a chance to see it performed live, do so, or if that's not possible, rent the movie. You won't be disappointed!
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