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Type of bind: Paperback
Dewey Decimal Number: 230.041
EAN num: 9780801027468
ISBN number: 0801027462
Label: Baker Academic
Manufacturer: Baker Academic
Quantity: 1
Page Count: 256
Printing Date: November 01, 2004
Publishing house: Baker Academic
Sale Popularity Level: 45923
Studio: Baker Academic
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The story of the Bible and its account of God's action in the world give meaning to our lives and provide us with the foundation for our actions. The Drama of Scripture is an introduction to the basic story line and theology of the Bible. In considering the biblical story, the authors emphasize the unity of the whole, viewing the Bible as a drama in six acts--creation, sin, Israel, Christ, church, and new creation. Two overarching themes tie the biblical story together--covenant in the Old Testament and kingdom in the New Testament. Throughout, the authors suggest, God is revealed through the story and calls us to participate in his drama.
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Rated by buyers 
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A very scholarly yet readable book that was brilliantly crafted to give us a picture of the story of God and where we are in it. I came across this book after reading somewhere that Rob Bell uses it in his church in Michigan.
This book is fantastic and will paint a picture of our role as Christ followers and what we can hope for in Christ's return.
I highly recommend this book.
Rated by buyers 
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The book begins by claiming to tell the "biblical story of redemption as a unified, coherent narrative of God's ongoing work within his kingdom" (pg 11). Telling the story of the Bible as such requires unifying themes from which each subsequent story can be told, lest God's story appear fragmented and purposeless. The themes posited by Bartholomew and Goheen are thus "covenant" (Old Testament) and "the kingdom of God" (New Testament) (pg 24). The biblical portrait they develop is therefore theme specific, told in relative terms to what they consider "the main door through which we can begin to enter the Bible and to see it as one whole and vast structure" (pg 24). In this review, at risk of failing to adequately summarize the book, I will argue that these themes are at least in need of more qualification, and perhaps even misleading, considering the fact that they serve as the basic premise to most the book's conclusions.
Bartholomew and Goheen seem to do little to qualify their position other than cite a few passages of scripture (all within one paragraph, pg 24) and briefly disqualify other themes as side entrances (within the same paragraph!). The very foundation of the book thus bears very little propositional qualification. The theme of "covenant" for the Old Testament seems more self-evident than does the "kingdom of God" theme for the New Testament. Though the ministry of Jesus was clearly focused on the theme of the kingdom of God, yet eighty-three of the ninety-seven occurrences of the phrase / (kingdom of God/heaven) occur in the Gospel narratives. That includes all the occurrences that could be eliminated as unoriginal through a synopsis of Matthew, Mark, and Luke. Considering also that the Church has largely relied on Paul for its Christology and Soteriology--its interpretation of the Gospel--quickly disqualifying the "presence" theme of the New Testament seems precarious: "...entrances such as `promise' and `presence'...are helpful, but they are a bit like side chapels or side entrances rather than the main entrance" (pg 24). In fact, Paul uses the phrase "kingdom of God" a total of nine times in the New Testament, whereas his use of the phrase "in Christ" occurs an overwhelming eighty-eight times, which is indeed a strong case for the "presence" theme that Bartholomew and Goheen so readily dismiss.
If time and space permitted, it would be a worthy argument to challenge "presence" versus "kingdom of God" in vying for the theme of the New Testament. Suffice it here to address these themes with regard to their ends, for the purpose of, at least, gaining perspective and, at best, sobering the assumption that the "kingdom of God" is indisputably the central theme of the New Testament. Simply put, the argument of the quintessential New Testament theme being "kingdom of God" could very well fall into an "anthropo-centric" focus rather than a "Christo-centric" focus.
First, following the line of the "covenant" theme of the Old Testament, it is Christ himself, not the kingdom of God, who fulfills the Old Covenant and becomes, in effect, the New Covenant (Lk 22:20). The kingdom of God may perhaps be the fulfillment of the Davidic Covenant (2 Sam 7), but it is only such insofar as Christ is the King of that fulfillment. Thus the nuance between King and kingdom need be distinguished. If one were to argue for the "presence" theme instead of the "kingdom of God," what might the case look like and what would its end be?
The "presence" as a theme for the New Testament encompasses the presence of God in Jesus Christ--Emmanuel--and the presence of God in the Holy Spirit. The "presence" theme centralizes God in Christ and God in the Holy Spirit not only as the main character, but also the main plot of the New Testament. Paul's tireless usage of "in Christ" (not to mention the author of Acts pressing insistence that everything the early church did was through the power and guidance of the Holy Spirit) further supports the presence theme as the necessary theme around which the New Testament is built. As such, the kingdom of God is a byproduct of the advent of Jesus Christ, and Christians exist in and live by the kingdom of God as a byproduct of the presence of the Holy Spirit.
The "presence" theme as primary seems to draw attention "God-ward," whereas the "kingdom of God" theme as primary tends to draw the attention "human-ward," e.g. much of the rhetoric of the kingdom of God yesterday uses language like "do" and "be" the "kingdom," rather than focusing on Christ himself as King, proclaiming the Kingdom through Christ, and following the King's servant example. In the presence theme one must interpret the kingdom of God through the lens of Jesus Christ; in the kingdom of God theme one must interpret Jesus Christ through the kingdom of God. Jesus becomes a means to an end, the King subject to His own kingdom.
This is not to imply that the kingdom ... Read More
Rated by buyers -
This book rocks! I found very little in it that I could even disagree with a little... and I'm quite contrary! It is completely Scriptural and gives such a wonderful framework for looking at all of life and all of Scripture. Biblical Theology at its best!
By the way, the "fantasy" tag listed below is garbage. This book is utterly and totally TRUE!
Rated by buyers -
The Drama of Scripture provides a big-picture look at God's relationship to humanity as the creation and dream of God. The authors analogize the Biblical story to a 6 act play consisting of the following acts: Creation, Fall, God Chooses Israel, Coming of the King, Spreading the News (Church), The Return of the King.
The theme running through the book is God's desire and commitment to his original creation idea and his willingness to restore the fallen world through a personal sacrifice.
The authors follow the narrative of scripture from Genesis to Revelation with the addition of the Maccabee story in Israel's history. They offer some in depth writing on few topics while offering a comprehensive survey of the story promoted as the metanarrative for all people. They tie in the events to the theme of God's mission for humanity.
This overview of scripture would be helpful to readers trying to see the story of the Bible in a more condensed form. It reminded me of the mission of the church today, as the authors stress the unfinished business of the church and God's Spirit on earth. The chapters on the church's mission are most creative and enthusiastic; however, the authors zip through the concluding chapter on The Return of the King and the discusion of Revelation and end times.
The authors stress that God's plan is for total restoration of creation not partial restoration. They identify areas where Israel went astray from its mission and where the church may be missing the mark today.
Overall, a very helpful book but one that may be too elemental for mature students of the Bible.
Shakespeare On Spirituality: Life-Changing Wisdom from Shakespeare's Plays
Rated by buyers 
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I'm not sure what other reviewers are so ecstatic about, but this book is decent. It certainly serves as good introduction to the Bible's own story. The authors come from a perspective whose assumptions I don't share as they leaves more questions unanswered than they answer. Given the value of the book, I would point out that the authors do not deal with the Mosaic covenant well. It seems that may be because of the goal of the authors--they want to introduce readers to the biblical narrative without diving deeply into its theology. Nonetheless, what they do choose to address concerning the Mosaic covenant is how all of Israel's life was supposed to reflect the character of God. Like one reviewer mentioned, these authors have a missional agenda; this is clearly reflected in what they choose to cover (and they choose not to) and how they frame things. This left me disappointed, for example, of how they address the covenants of Scripture (and election). The reader may find Michael Horton's God of Promise an ideal way to follow this one.
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