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Type of bind: Paperback
Dewey Decimal Number: 823.914
EAN num: 9780671886097
ISBN number: 0671886096
Label: Washington Square Press
Manufacturer: Washington Square Press
Quantity: 1
Page Count: 336
Printing Date: June 01, 1995
Publishing house: Washington Square Press
Sale Popularity Level: 498370
Studio: Washington Square Press
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Editor's Notes and Comments:
Product Description:
'I have a secret to tell you, dear, and this is it: I am not Mary. That is a mistake. I am not a girl. I'm a boy.' Mary's fight to become Martin, her claustrophobic small town, and her troubled family make up the core of this remarkable and intimate, emotional yet unsentimental novel. As daring as Virginia Woolf's Orlando, Sacred Country inspires us to reconsider the essence of gender, and proposes new insights in the unraveling of that timeless malady known as the human condition. As Mary's mother, Estelle, observes, 'There are no whole truths, just as there is no heart of the onion. There are only the dreams of the individual mind.'
Sweeping us through three decades, from the repressive English countryside of the fifties to the swinging London of the sixties to the rhinestone tackiness of seventies America, Rose Tremain unmasks the 'sacred country' within us all.
Amazon.com Review:
At the age of 6, while standing in a field observing a minute's silence for the death of King George IV, Mary Ward realized she was not a little girl. 'That was a mistake,' she said to herself. 'She was a boy.' Where this realization takes Mary is the ostensible subject of Sacred Country, although British writer Rose Tremain (author of The Way I Found Her) so lovingly treats the bleak town of Swaithey, England, where Mary grows up, and the people around her that the novel eddies out to encompass the town and times. With a steady eye, Tremain describes the harsh circumstances of Mary's early life and her disconnection from her body and surroundings. That she can find so much humour and magic in Mary's slow transformation into Martin is remarkable, but the book may be most memorable for its quiet realism and light, exacting prose. Not to be missed. --Regina Marler
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Rated by buyers -
I had put off reading this book for years because of a review I had read saying it was about a girl who wanted to be a boy. The book was actually the story of several different people and the different journeys they took to find themselves. It is wonderfully written and I am only sorry I didn't read it sooner. I highly recommend it.
Rated by buyers 
-
Granted, a happy ending is far from what I expected when I started in on this book, nor do I normally expect happy endings from modern novels. I was somewhat apprehensive about reading another book about someone finding himself, but I'm quite glad I did. Tremain's novel unfolds quietly, without great pomp, and pulls you in through carefully-crafted characters that feel like real human beings. I found that the more I read, the more I wanted to keep reading, and it's been quite a while since an author's managed to accomplish that for me. While Mary/Marty's story is interesting, I find the "support cast" more intrigueing, potentially because Mary/Marty somehow ends up a bit hollow, a bit shallow; his only desire, as human as it may be, is to settle down with a girl.
Other characters in the novel go through ups and downs, as well, but most seem to have either arrived at a place of contentment (or, at least, contentment with their discontentment) or are portrayed as being in a transitional place. Mary/Marty probably wouldn't bother me so much if he wasn't trans. The fact that he has no real ambition and has only the most basic of desires--to find a mate--strikes a sour note into this otherwise beautifully-written novel. Just as many queer characters tend to end up with less-than-happy endings, so Mary/Marty ends up alone and content with loneliness. Perhaps I'm being a bit paranoid here, but that strikes me a bit too much like a conservative message wrapped up in what looks to be a progressive novel.
Nonetheless, the book is well worth the read, especially for the glimpse into changing views on and roles of masculinity within English culture after WWII and as industry started to take over smallholdings in rural England. I'd give it 3-1/2 stars if I could, but since that's not an option, I'll go with 4 for the smoothness of the prose, the complexity of the characters, and sociological value.
Rated by buyers -
I loved this novel. I haven't read it recently so some of the details are fuzzy but I do remember being amazed by the story and the author's writing style.
"Sacred Country" is about a young girl, Mary Ward, who, at the age of six, realizes that she should be boy. The book is a chronicle of her life from that point on. I found the detailed descriptions of the odd things that captured Mary's curiosity as a child (and as an adult, in a different way) intriguing. I won't lie, this is a very sad story at times, and is hard to read in some parts because of Mary's loneliness. The loneliness is never stated and packs a harder punch because of it. All in all, this book explained to me in stunning writing, the process of finding all of the right worlds in oneself. And, dealing with them when they don't fit or express into a manageable form to the outside world. It is a coming of age story to the self and to life. I like to read to learn - about happiness, sadness, life - this book delivered in a big way for me.
Rated by buyers -
Normally books about people trying to "find themselves" do not appeal to me. I'm a reader of historical fiction - thus I discovered Rose Tremain through Music & Silence (Excellent) and Restoration (wonderful read). I purchased this book simply because of the author. When I got it and read the covers, I thought "I've been gipped, this isn't what I wanted" - However, after just a few pages, I was pulled in. Mary/Martin's struggle with gender reflects every individual's struggle to become who they think they are meant to be. Gender identity is only a tool here; it is not the focus of the book. The English farm, the repressed family, the country music scene in Nashville are a perfect backdrop for the inner struggles of characters such as Mary and Walter. The author paints such a realistic picture: Struggles are hard and probably never ending. The book also demonstrates the importance of the "one person" in someone's life who can make such a difference -- in small and often unknowing ways. I can't say I loved this book, but I can say that I am so glad I read it. The world is filled with Marys and Walters, and there is a bit of them in each of us as well. The perspective this book brings is right on target. Rose Tremain is truly a great writer.
Rated by buyers -
I completely agree with the five or six other reviews of this book for two reasons, one that it's an absolutely wonderful story and two that it's a shame that more people haven't reviewed it. It's one of those rare books that will capture you until you read the last page. The characters, as well as their relationships are so well crafted that you don't want them to end. It so touching and human that I can't imagine anyone would not fully enjoy it.
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